Hot sale reasonable price Electric Wax Series for Lebanon Factories
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Hot sale reasonable price Electric Wax Series for Lebanon Factories Detail:
(1) Special Seal Wax for Electronic Elements
This series of products have very good moisture proof capability and good capability for enduring temperature changed. Its’ hardness and viscosity are temperate, and it’s pliability and plasticity are well. They have excellent electrical property parameters. Their high frequency loss is few. They have no any corrosion. Their various processing property are stable.
This series of products are mainly applicable for dipping electrical coil such as electronic tuner coil, various oscillator coils, adjustable inductance electronic component, electronic transformer and color TV luminance delay,thermal seal to some materials.
(2) Dipping Seal wax for Various Capacitors
This series of products have eight grades, which their common characteristic are excellent insulating property, well moisture proof capability, low loss, well compatibility and oxidation resistance. The drop melting point from 65℃ to 145℃, can be adapt to the demands for insulating envelopments with different ranges.
This series of products are mainly applicable for dipping envelopment of the electronic elements such as line-motivating transformer, color TV delay coil, various film and paper capacitor, porcelain capacitor, etc.
(3) Sealing wax for Power Capacitor
This series of products have outstanding insulation impedance and low loss. They have a suitable air-absorption capacity and appearance surface. Their performance is stable. They have a suitable hardness and viscosity, non-poisonous, tasteless and low acid value.
This series of products are mainly applicable for dipping & seal of the metallic capacitor such as the low-voltage power capacitor, alternating current capacitor, household appliances capacitor, etc.
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Our personnel are generally in the spirit of "continuous improvement and excellence", and together with the outstanding top quality merchandise, favorable price tag and fantastic after-sales solutions, we try to gain every single customer's rely on for Hot sale reasonable price Electric Wax Series for Lebanon Factories, The product will supply to all over the world, such as: Ukraine , Israel , Nepal , Our well-equipped facilities and excellent quality control throughout all stages of production enable us to guarantee total customer satisfaction. If you are interested in any of our products or would like to discuss a custom order, please feel free to contact me. We are looking forward to forming successful business relationship with new clients around the world.
Amazon has a set of gauges and a pump to do it right …
New voices, old technology: bringing wax cylinders back
The NFSA and the Stiff Gins break new ground by recording contemporary music on 19th century wax cylinder technology.
Two women sing into a large brass horn
The Stiff Gins: Kaleena Briggs and Nardi Simpson record on the Edison Standard D model phonograph
In early 2013 the Indigenous musical duo Stiff Gins (Nardi Simpson and Kaleena Briggs) approached the NFSA’s Senior Curator of Indigenous Collections, Peter White, asking about the possibility of recording a wax cylinder. Nardi Simpson and Kaleena Briggs had come across the cylinder recordings made by Tasmanian Aboriginal woman Fanny Cochrane Smith in the early years of last century and they were intrigued by the idea of making such a recording as part of the developmental work for a new show.
Now, all NFSA technicians had to do was learn how to make it all work. There is no handbook for this 19th century technology. The NFSA archives equipment as well as recordings, and after some research it was decided that we could use one of our Edison Standard D model phonographs as a recording machine. This machine dates from around 1908, has a clockwork spring-powered motor and was fitted with a reproducer head that could play back both 2- and 4-minute cylinders. However, a recorder head instead of the reproducer was required and there were none in the collection. Luckily, a 2-minute version was found from a supplier in the US and blank cylinders were sourced from Paul Morris in the UK.
Audio technician Gerry O’Neill with Edison Standard D model phonograph
Then the equipment was set up in the recording studio for some testing. Recording on such equipment is a purely mechanical process, with no electricity involved. The performer sings or plays down a metal horn and the energy of that sound is concentrated onto a thin circular mica disc in the recorder head. The vibrations of the disc move a thin glass rod which cuts the spiral groove in the cylinder.
We tried out two different conical horns and decided that the longer (120cm) produced better sounding recording that the shorter (100cm) one. The distance of the performer from the horn is also critical and we found that the performer has to be able to hear a reverberant echo coming back out of the horn for there to be enough mechanical energy to cut the groove.
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